I loved aqua. Barbie girl is obviously relevant with the movie out, so it’s reminded me. However doctor Jones was also great for me at the time. I then went online and downloaded all their songs. It pretty much introduced me to mp3s. As an adult I still like it for the nostalgia and some of the lyrics are quite funny. Life in plastic, it’s fantastic or You can brush my hair, undress me everywhere.

However, O would not be breaking out the aqua for a party or dinner with friends.

I have a giant playlist of songs that are cheesy and fun but not intolerable to listen to for me, to play when my kids are playing. It’s got vheesey stuff like S club 7, which is probably more embarrassing than aqua, but don’t stop movin is amazing. It also has upside down by the a*teens. I pick songs that have words or concepts that help learn music appreciation or language skills.

Things like ROYGBIV by public service broadcasting teaches colours sits beside Gwen Stefani Hollaback girl teaching spelling.

And b*witched for the denim.

Well it used to be slipknot/KoRn/Limp Bizkit etc etc, but now nu metal is cool with all the zoomers, so I’m no longer embarrassed of being a nu metal kid. It’s been pretty cool to reconnect with that stuff without fear! Tbh there are a lot of KoRn tracks that slap, and you can hear their influence in a lot of the underground metal music I listen to. The band chat pile that’s pretty popular right now cites KoRn as an influence. Limp Bizkit is still preeeeeetty fuckin bad though. I fuck with some tracks off of 3 Dollar Bill Y’all$, but so much of it is just corny as hell. System of a Down was always considered dope so they don’t count

I bought the Hanson CD

but you know what, I ain’t ashamed! MMMbop was catchy and I’ll listen to whatever gets my body groovin’

Shouldn’t it be the other way around? I was very ashamed of liking Avril Lavigne, today I blast that banger whenever I feel like it 😎

I wouldn’t say I am ashamed, but I cannot believe I liked Insane Clown Posse and thought it was legitimately good music.

Froggy Mix

I literally can’t listen to that video now without cringing into a singularity, but way back in the day it was my jam.

Vanilla Ice and Milli Vanilli.

My taste in music mostly stayed the same since childhood. I just like more genres now.

I am really into EDM, old EDM songs from popular subgenres oftentimes feel “outdated” in a sense.

For non-EDM enjoyers, its all beeps and boops anyways tho.

Courtesy of the Red White and Blue by Toby Keith. Post 9-11 America was weird.

my first CD was N’Sync…

I remember bringing it into school for like a show and tell or something.

My music teacher paused for a bit after it was over and said, “well, they certainly were in sync” lol

It’s not as old as some are suggesting but I used to non-ironically listen to pink guy, the musical spin off of Filthy Frank. Not my proudest moment but I guess I still follow George Miller because I listen to Joji. Very different vibe now.

I can’t answer that! The shame is too strong! I still have a guilty listen every so often on YouTube though.

We’ll do this in layers.

I used to worship at the altar of Smashing Pumpkins. Some (though not all) of their stuff holds up pretty good still, I think. They’re good at concepts and imagery. Er, were. Teargarden by Kaleidyscope was kinda the last thing of theirs I bothered with, and I’d started to fall off well before that, too. Shame level 3/10 just because I was obsessive about deep-diving every single one of their tracks (from their first few albums anyway).

I was gonna say Linkin Park at first blush, and would have followed through with that, except that just a couple of weeks ago I played through Hybrid Theory and thought “y’know, this isn’t my style of music anymore but it’s not bad, not bad at all.” Still, the supposed emotional resonance I had with them puts this at Shame Level 4/10 because, looking back as an adult, most of them are pretty pandering towards angsty teens.

Felt the same about Weird Al. I mean, okay, I cringe at how UPROARIOUS and CLEVER and SUBVERSIVE I thought he was as a kid, but the music is fine for what it is and I feel it accomplishes what he, as an artist, set out to do. And while corny it’s not quite cringy. Shame level 4.5/10

Glenn Miller and other mid-20th-century big-band/swing stuff. Not bad on the face of it, really - still good, in fact, if that’s your thing. But as with the others, my reasoning behind liking them is the reasoning for the Shame Level 6/10 - yes, I segued into your typical fedora-tipping “le gentleman” Humphrey Bogart wannabe around 2005-2009. Urgh. At least it was before the REAL BIG WAVE of that swept over the Internet and everyone was doing it. Shudder to think of how I’d be if I’d gotten REAL caught up in that wave. But maybe that’d have been a preferable alternative to what happened…read on, if you dare.

Testament is perhaps my greatest shame since I was desperately trying to become a metalhead but really didn’t care for their music all that much? I figured if I listened to it enough times it’d eventually just all click. NOPE. But I kept on with that for several years. Shame level 8/10. Throw Metallica (esp. Death Magnetic, which I slavishly adored) and your other typical Guitar Hero RAWK EDITION tracks that your typical identity-less 00’s teen woulda latched onto. You get the picture. (Slight redemption: I did discover Gamma Ray through this phase and, as with Smashing Pumpkins above, I relistened the album Heading for Tomorrow and honestly really appreciate the positive/happy/hopeful messages in songs like Heaven Can Wait. A bright little happy diamond among a genre inundated with DEATH AND PAIN AND SUFFERING IS ALL THERE IS.", and it helped me kinda realize that “hey, you don’t gotta be all doom and gloom all the time, man. Light only shines where you let it in.” Here’s the lyrics if you don’t wanna listen to the long song.)

However, they are dragged down by some of their other stuff which is weirdly Christian-leaning (nothing wrong with that, well, at least not on their spin on it, since they aren’t really in your face about it. A mention of “God” here and “Satan” there but not, like, Christian rock’s repeated mantras of “praise Jesus” over and over as a “refrain”. You can tell their religious beliefs but they don’t make it front-and-center. Anyway) and anti-government (which I think they did more as a concept for their No World Order! album than anything else, but), which I ran with all the way into the conspiracy-idiot hole for a few years. IT’S THE JEWS MAN. Ugh. A coincidence of unfortunate timing that I watched the “documentary” Zeitgeist at just the right (wrong) time to coincide with my discovering of that album. GREATEST SHAME. 11/10 (but that’s on me for how I interpreted and interacted with their artwork, not really the art itself)

DLC: Why did I like I My Me Mine so much? I’d blast it everywhere as a teen because I saw it on the Gaia Online profile of some lolsorandumb e-girl – not that we had the term then. Probably just to annoy people.

Speaking of pre-e-girls, there was this other online girl whom I was head over heels with who really liked the uh…weirdly soft “let me fill this emotional void of yours” sort of music, from bands like The Spill Canvas and Jason Mraz and Owl City. OUCH but I didn’t need to remember that, but I did, and I’m putting it down here at the deepest circle of hell. SHAME LEVEL 12/10

Edit: My adoption and subsequent abandoning of anything approaching consistency on my 1-10 shame scale earns a shame rating of 15/10.

Simple Plan. They had some popular songs, but looking back, their lyrics were/are cringy. But on the upswing, they had good intention in them.

Mumford and Sons. Their first few albums were unique, and a nice change from everything else. Then they turned around and shit on everyone that liked their music before turning into Coldplay